Moore was also scheduled to sing Serena in Francesca Zambello's production of Porgy and Bess in a return to Washington National Opera, conducted by music director Evan Rogister, which was cancelled due to COVID-19. Moore also sang the title role in Tosca with Opéra de Rouen Normandie Théâtre des Arts, and was scheduled to sing the same production with Théâtre de Caen which was cancelled due to COVID-19. Moore returned to the Metropolitan Opera in the 2019/20 season to sing Serena in a new production of the Gershwin's Porgy and Bess which is broadcast as part of the Met's Live in HD series and won the Grammy Award for best opera recording, and which the New York Times noted she "stopped the om almost vibrato-less, celestial high stretches to chilling, chesty low phrases, all of which she sang grippingly." Ms. Moore was also scheduled to make her role debut with the Philadelphia Orchestra as Musetta in La Bohème, conducted by Yannick Nézet-Séguin. Moore was scheduled to return to the Metropolitan Opera to star as the title role in Michael Mayer's new production of Aida, conducted by music director Yannick Nézet-Séguin, and to star as Sister Rose in Ivo van Hove's new production of Dead Man Walking, both of which were scheduled to be broadcast as part of the Met's Live in HD series. Moore returned to the title role in Tosca in her house debut at Austin Opera, and to Atlanta Symphony Orchestra for a special community concert in Serenbe, Georgia. She will return to the Met in the 2022/23 season in the title role of Aida, as Musetta in La Bohème and as Emelda Griffith in Terence Blanchard's Champion.
Praised as "richly talented" by the New York Times, the 2021/22 season sees Latonia Moore appear at the Metropolitan Opera as Billie in Fire Shut Up In My Bones by Terence Blanchard and as Serena in Porgy and Bess , with Dallas Opera in Madama Buttefly, at the Lyric Opera of Chicago in Fire Shut Up in My Bones and at LA Opera in Aida.
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